Reviews

The Tale Becomes the Story: Michael Gorra’s “The Storytellers”
The Dystopia We Live In: Sarah Anderson’s “Fallow”
To Put One World in the Place of Another: Peter Rock’s Makeshift
Frank Norris’s “The Pit” is as American as Apple Pie
Americans Are Afraid of Americans Too: a review of Dawn Turner’s “Majestic Hills”
Nature, Mysteries, and the Legacy of History in “Sunrise”
“Late Fame” and the Privileged Performance of Artistry
The cover of The Responsible Party, with a stylized lighthouse in view beyond an expanse of sea.
Owning the Truth in Claire Carusillo’s “The Responsible Party”
Crooks Try to Go Legit in “Cool Machine”
Looking Back, But Not Moving Forward: On “A Tender Age”