Writing from the Voice — When Writing Crowds Out Life (and Vice Versa)
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Exclusive Cover Reveal: A First Look at Erin Hoover’s “Consent”
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The Horror of Girlhood in “Needlemouth”
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 “I wasn’t interested in writing gay intimacy for straight people”: Marlon James on “The Disappearers”
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The Screen Is the Egg Is the Crack: Jane Schoenbrun’s Public Access Afterworld
The Catapult Books Sale & the Age of Damnation for American Publishing
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Retelling a Myth—and Reconsidering Mythmaking Altogether: A Conversation with Alysandra Dutton
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