Reviews

“We Can No Longer Not Know What We Already Know” : A.M. Homes Maps “The Unfolding”
Mothers, Daughters, and Desperate Performances in “My Phantoms”
Time as Fetter and Bridge in “Habilis”
Finding a Serial Killer in “American Demon”
Violence and Power in “Toño the Infallible”
Returning to the Spirit in “Sacred Nature”
Faith and Fanaticism in “Haven”
Translation as Oppression and Liberation in “Babel”
Extraneous Villainy in “Reluctant Immortals”
Language, Gender, and Power in “Witches”