Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Reviews
Revering the Rituals of Girlhood in “Girl’s Girl”
The Power of Telling Your Own Story in J Brooke’s “I Can Tell You The Version That Will Make You Take My Side”
What Choice Do We Have? On Bobuq Sayed’s “No God but Us”
“Tuner” is a Cacophony of Competence
Telling the Stories of the Unaccounted For in “Mount Verity”
Sports and Melodrama in “Death of the Soccer God”
Two Can Play at that Game: “The Players Club” by Rachel Mills
Finding Solace in a “Kafkaesque” World
Form is Function in Emily LaBarge’s “Dog Days”
“If only some idea could find its way”: A review of Tom Paulin’s “Namanlagh”
Posts pagination
1
2
3
…
151
Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
Loading Comments...
Write a Comment...
Email (Required)
Name (Required)
Website