The Subsurface Strangeness of Realism in “The Blade Between”
A review of Sam J. Miller’s new novel, “The Blade Between.”
Category: Reviews
Navigating Power in “The Opium Prince”
A review of Jasmine Aimaq’s debut novel, “The Opium Prince.”
Love and the Unknown in “To Be a Man”
A review of Nicole Krauss’s new book, “To Be a Man.”
Working Within Limits in “Before the Coffee Gets Cold”
A review of Toshikazu Kawaguchi’s debut novel, “Before the Coffee Gets Cold.”
A Love Letter to Capitalism in “Singular Sensation”
A review of Michael Riedel’s new book, “Singular Sensation: The Triumph of Broadway.”
“The Office Of Historical Corrections” is a Necessary Critique of the Current Moment
A review of Danielle Evans’s new collection, “The Office of Historical Corrections.”
Accessible Space in “What Kind of Woman”
A review of Kate Baer’s new book, ” What Kind of Woman.”
Modern Chills and Thrills in “The Nesting”
A review of C.J. Cooke’s new book, “The Nesting.”
The Tension at the Heart of Pop in “Warhol’s Mother’s Pantry”
Our review of M.I. Devine’s latest essay collection, “Warhol’s Mother’s Pantry: Art, America, and the Mom in Pop.”
Contending With Legacies in “Too Much Lip”
A review of Melissa Lucashenko’s new book, “Too Much Lip.”
