Reviews

The World of Form: Art and Representation in “Life of M”
Frank Norris’s “The Pit” is as American as Apple Pie
Americans Are Afraid of Americans Too: a review of Dawn Turner’s “Majestic Hills”
“Late Fame” and the Privileged Performance of Artistry
Nature, Mysteries, and the Legacy of History in “Sunrise”
In “Guapa,” Freedom is Built, Not Granted
A Gothic Puzzle Across Time in Anjet Daanje’s “The Song of the Stork and Dromedary”
Grief is a Ghost and That Ghost is Your Boyfriend: On C. Russell Price’s “Bisquick: An American Seance”
The cover of The Responsible Party, with a stylized lighthouse in view beyond an expanse of sea.
Owning the Truth in Claire Carusillo’s “The Responsible Party”
Crooks Try to Go Legit in “Cool Machine”