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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Nonfiction
Resisting Optimization in “How to Be Less Useful”
Writing from the Voice — When Writing Crowds Out Life (and Vice Versa)
“At best, my death is an event in your life”: On Lieke Marsman’s Last Essay Collection
Design as an Answer to a Set of Questions
Imagination as Liberation in “There’s a Monster in the Lake”
Book Stuff: The pain of looking for work with Words of Mouth’s Rachel Meade Smith
Exclusive Cover Reveal: A First Look at Anne Stark Gallagher’s “Collateral Wife”
The Bank Robbery That Dramatized Gay Liberation: An Interview with Matthew Prigge on “Dog’s Day”
The Tale Becomes the Story: Michael Gorra’s “The Storytellers”
Writing from the Voice — On Mentors and Teachers and Mantras in Our Heads
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
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