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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Reviews
Reindeer, Spirits, and Survival: Translating “The Last Quarter of the Moon” by Chi Zijian
Mishearings and Meaning-Making in Noa Micaela Fields’s “E”
Bigly Consequences of an American Reich
The Stand-in Self in “Jackson Alone”
Reverberating Endlessly Into the Future: Laura Restrepo’s “Song of Ancient Lovers”
An Appetite for Body Horror and Dark Humor in Olivie Blake’s Girl Dinner
Coming Home is no Longer Recognizable in “The Ballad of the Last Guest”
The Power of Storytelling Preserves Memories in Nadia Davids’s “Cape Fever”
The Autonomous Anarchist in “Johann Most: Life of a Radical”
Traitorous Magic in Garro’s “The Week of Colors”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
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