Fiction

Guilt Sharper than Fangs in “The Flayed Man”
Writing from the Voice — What Do You Need from a First Draft?
Collision of One Family’s Past and Present in Ryan Effgen’s “Make Nice”
The Future is the Past is the Future in “Dooneen”
The Translator’s Voice — Michael Katz on Translating Fyodor Dostoevsky’s “The Idiot”
On Cults, Class, and the Turbulent 1970s: A Conversation with Rowan Beaird
A Fresh Take on Uninvited Guests in “The New People” 
An Investment in Coming of Age in “Hustle, Baby”
Critics in Conversation: Two CHIRB Editors Discuss “Yesteryear”
Writing as Tapestry: An Interview with Mark Haber