Home
About
Who We Are
Advertise
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
Home
About
Who We Are
Advertise
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Short Story Collection
A Lack of Shared Reality in Elaine Hsieh Chou’s “Where Are You Really From”
Bracing Currents in “An Oral History of Atlantis”
The Nature of the Self in “Open Up”
Where Ends Meet: Paul Theroux’s “The Vanishing Point”
The Uncertainty of Our Times in “Sinkhole, and Other Inexplicable Voids”
With “The Man in the Banana Trees,” Maggie Sheffer Crafts Intriguing, Resonant, and Deliciously Strange Stories
What a Short Story Can Hold: A Conversation with Amy Stuber about “Sad Grownups”
Surrealism in Translation in Juan Emar’s “Ten”
Ghosts, Womanhood, and Intrigue in “Mystery Lights”
Home
About
Who We Are
Advertise
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
Loading Comments...
Write a Comment...
Email (Required)
Name (Required)
Website