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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Fiction
Form and Formlessness in “How To Love A Black Hole”: An Interview with Rebecca Fishow
Mercy in the Make-Believe: On Natalia Theodoridou’s “Sour Cherry”
“All this time, and I was still alive”: On Maggie Nelson’s ‘Pathemata Or, The Story of My Mouth’
Ron Currie’s “The Savage, Noble Death of Babs Dionne” Is Gritty Noir with the Heart of Literary Fiction
Smiles of the Insane in “Counting Backwards”
In Quest to Be Had in “Paradise Logic”
A Compromised Life: On Curtis Sittenfeld’s “Show Don’t Tell”
Unholy Communion in Stephen Graham Jones’s “The Buffalo Hunter Hunter”
Casino Dreams: Dennis E. Staples’s “Passing Through a Prairie Country”
Coloring Outside the Lines in “Hot Air”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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