Reviews

Revealing the Invisible Self in “Men Have Called Her Crazy”
Shades of Orpheus & Eurydice in Eunice Hong’s “Memento Mori”
Harrowing Comeuppance in Jo Hamya’s “The Hypocrite”
Revolutionary Cuts and Gendered Introspection in “Hair for Men”
Surrealism in Translation in Juan Emar’s “Ten”
Mapping Absence in “The Age of Loneliness”
Ghosts, Womanhood, and Intrigue in “Mystery Lights”
Delving Into the Absurdity of Class and Parenthood in “Plays Well With Others”
Escape Is a Privilege in “The Rich People Have Gone Away”
Portrait of an Era: Jessica Anthony’s “The Most”