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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Reviews
Pessimism and Patriotism in Sarah Kendzior’s “The Last American Road Trip”
American Refusal in “Bad Nature”
The Nature of the Self in “Open Up”
Jonathan’s Coe’s “The Proof of My Innocence”: A Jolly Good Show
Seeking Freedom through Love and Destruction: Nettie Jones’ “Fish Tales”
Otherness Fuels Solidarity in Viet Thanh Nguyen’s “To Save and To Destroy”
Punk Legends and Classical Tensions in “No Names”
Banishment and Belonging in “Big Chief”
Heightened Performance in Katie Kitamura’s “Audition”
Mercy in the Make-Believe: On Natalia Theodoridou’s “Sour Cherry”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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Jonathan’s Coe’s “The Proof of My Innocence”: A Jolly Good Show