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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Reviews
Optimistically Catastrophic: Lizzie Wade’s Vision of the Future in “Apocalypse”
Forever Circling: Cycles in “Eternal Summer”
Exploring the Challenges and Joys of Life, Trust, and Friendship in Fredrik Backman’s “My Friends”
Liberalism in Crisis: Kevin M. Schultz’s Why Everyone Hates White Liberals (Including White Liberals)
Splendid Peacocks and Missing Shores in “The Golden Road”
Strange Magic and Jaunty American Style in “Exit Zero”
Unaskable Questions in Heather Christle’s “In the Rhododendrons”
Nigerian Womanhood is (Re)Defined in “Hail Mary”
Maren Uthaug’s “Eleven Percent” Is a Hilarious Send-Up of the Manosphere
Love in Multitudes: Emily Henry’s “Great Big Beautiful Life”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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