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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Translation
The Translator’s Voice — Janet Hong on Translating Kang Young-sook’s “At Night He Lifts Weights”
Bodies and Open Spaces in “Wound”
The Translator’s Voice — Morgan Giles on Translating Yu Miri’s “The End of August”
The Translator’s Voice: Damion Searls on Translating Victoria Kielland’s “My Men”
Dreamscapes and Awakenings in “Owlish”
Dual Realities in “Truth/Untruth”
Life Among the Born and the Made in “The Employees”
Unlikable Protagonists and Morality in “The Easy Life”
A Window Into Both Past and Present in “Hawa Hawa”
Translating Narrative Tension in “Traces of Boots on Tongue”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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