Translation

Bodies and Open Spaces in “Wound”
The Translator’s Voice — Morgan Giles on Translating Yu Miri’s “The End of August”
The Translator’s Voice: Damion Searls on Translating Victoria Kielland’s “My Men”
Dreamscapes and Awakenings in “Owlish”
Dual Realities in “Truth/Untruth”
Life Among the Born and the Made in “The Employees”
Unlikable Protagonists and Morality in “The Easy Life”
A Window Into Both Past and Present in “Hawa Hawa”
Translating Narrative Tension in “Traces of Boots on Tongue”
Landscapes of Memory in Dorthe Nors’ “A Line in the World”