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Home
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Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Translation
Almosts and Alliances in “Andromeda”
The Erotic Nihilism of Izumi Suzuki’s Set My Heart On Fire
History is Everything in “Too Great a Sky”
Scenic Scares and Schwärmerei in “The Empusium”
Isolation and Absurd Humor in “The Potato Eaters”
The Translator’s Voice — Quyên Nguyễn-Hoàng on Translating Nguyễn Thanh Hiện’s “Chronicles of a Village”
The Translator’s Voice — Alison Anderson on Translating Muriel Barbery’s “One Hour of Fervor”
Refusing the Spectacle of Post-Apocalyptic Survival in “Termush”
A Brutal History Reimagined in “You Dreamed of Empires”
Stories Ad Infinitum: An Interview with Zuska Kepplová on “The Moon in Foil”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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Scenic Scares and Schwärmerei in “The Empusium”