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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Review
Accepting the Abyss in “Things in Nature Merely Grow”
In the Vortex with Shelby Hinte, author of Howling Women
Seeking Freedom through Love and Destruction: Nettie Jones’ “Fish Tales”
Heightened Performance in Katie Kitamura’s “Audition”
“All this time, and I was still alive”: On Maggie Nelson’s ‘Pathemata Or, The Story of My Mouth’
Diverting the Flood of History: Ada Palmer’s “Inventing the Renaissance”
Redefining the “F” word in “The Portable Feminist Reader”
A Paradise Built on Quicksand in Madeleine Watts’s “Elegy, Southwest”
The Magic of the Mundane: Clarice Lispector’s “Covert Joy”
Competing Childhood Narratives in “We Could Be Rats” by Emily Austin
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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