Review

Imperfect Speakers: the Meta-Mysteries of “Devil House”
The Refractions of Death and of Pandemic in “How High We Go In The Dark”
Replications and Multiverses in “Present Tense Machine”
The Meaning of an Examined Life in Jami Attenberg’s “I Came All This Way to Meet You: Writing Myself Home”
Loss and Longing in Cara Blue Adams’ “You Never Get It Back”
Addiction, Recovery and Motherhood in Lisa Harding’s “Bright Burning Things”
The Violence of Photography in Stephanie Gangi’s “Carry the Dog”
“Expressing Yourself Is The Reason”: Legacies and Reinventions in Ai Weiwei’s Sweeping “1000 Years of Joys and Sorrows”
The Transformative Simplicity of Louise Glück’s “Winter Recipes from the Collective”
The Deadliest Hearts are the Lonely Ones in Cassandra Khaw’s “Nothing But Blackened Teeth”