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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Review
There is No Keeping Score in “Some Bright Nowhere”
Ted Geltner’s “Flagrant, Self-Destructive Gestures” reconnects us with Denis Johnson
“Train Dreams” Illustrates a Life Made of Moments
An Unexpected History: “Capturing Kahanamoku” by Michael Rossi
James R. Gapinski’s “The Museum of Future Mistakes” is Both Familiar and Strange
Shipwrecks, Spectral Beings, and Brutal Winters in “The Salvage”
Stories Through A Career in Katherine Dunn’s Posthumous “Near Flesh”
The Year of Viral Grieving in “What a Time to Be Alive”
To Be Alone is To Be Understood: A Review of “The Loneliness of Sonia and Sunny”
The Master of Dread: Schweblin’s “Good and Evil and Other Stories”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
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