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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Review
What Goes Wrong When Everything is Right: A Look at Sophie Mackintosh’s “Permanence”
Home and Away in “The Oyster Diaries” by Nancy Lemann
Noticing, in Nora Lange’s “Day Care”
Parasocial at Sea in Emma Straub’s “American Fantasy”
Womanhood, Identity, and Fairy Tales in “Seasons of Glass and Iron”
A Reemergence of Charlotte Wood’s “The Natural Way of Things”
Of Undying Significance: Daniel Kraus’ “Partially Devoured”
A Tender Exorcism in Mark Haddon’s “Leaving Home”
The Shared Traumas in Nina McConigley’s “How to Commit a Postcolonial Murder”
Coming Home is no Longer Recognizable in “The Ballad of the Last Guest”
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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