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Home
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Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
literary fiction
Revering the Rituals of Girlhood in “Girl’s Girl”
Finding Yourself on the Precipice in Radhika Singh’s “Earthly Playing Field”
Disorientation and Uncanny in Hanna Johansson’s “Body Double”
Bloody Satisfaction in “Nothing Tastes As Good”
The Translator’s Voice — Max Lawton on Translating Antonio Moresco’s “The Beginnings”
Sifting Through History: An Interview with Ian McGuire
The Beautiful Minimalism of “they”
The Art of Turning Away in Daniel Poppick’s The Copywriter
Reindeer, Spirits, and Survival: Translating “The Last Quarter of the Moon” by Chi Zijian
The Land, and Lives, in Winter
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
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