Reviews

Where in the (Modern) World is Africa?
Portraying the Mundane in “Flight”
A Satire of Russian Life in Alisa Ganieva’s “Offended Sensibilities”
The Line Between the Original and the Imposter in “Case Study”
Self-Examination in “Novelist as a Vocation”
The Failed Promise of the American Dream in “Cheap Land Colorado”
Translating Narrative Tension in “Traces of Boots on Tongue”
Landscapes of Memory in Dorthe Nors’ “A Line in the World”
Community as Character in “Saha”
Alternating Realities in “Self-Portrait with Nothing”