Ecco Press

Revealing the Ideal and the Real in “Bourdain: The Definitive Oral Biography”
Locating the Now: Temporal Distance in “Nobody, Somebody, Anybody”
The Subsurface Strangeness of Realism in “The Blade Between”
The Anxiety of the Unknown in “Leave the World Behind”
Sonic Relationships and Semantic Rhythms in “Field Music”
The Thrill of Justice in “Winter Counts”
Being Really Here in “The Son of Good Fortune”
Shadows of Consciousness in “Night. Sleep. Death. the Stars.”
The Cruelty of Busyness
Matthew Zapruder
Dear Poetry Editor: Matthew Zapruder at New York Times Magazine