Reviews

Bodies and Open Spaces in “Wound”
Déjà Vu All Over Again: An Interrogation of Influence in “The Fraud”
The Lingering Pain of Grief in Yiyun Li’s “Wednesday’s Child”
A Call to Action in “I’m a Fan”
The Mourning Body in “Swim Home to the Vanished”
From Margin to Center in “Wifedom”
Tears of Course: Satire and Sorrow in Lars Iyers’ “My Weil”
A Monopoly on Violence: On “Quiet Street”
A Manifesto for Progressive Bookselling in “The Art of Libromancy”
From Saving the Planet to Impossible Meat in Alicia Kennedy’s “No Meat Required”