Reviews

Intimate Orchestrations: On Amor Towles’s “Table for Two”
Letting It Rip in “Like Love: Essays and Conversations”
The Immersion Method in Carys Davies’ Clear
The Matrix of Performance in Percival Everett’s “James”
Fighting the Phantasm in “Who’s Afraid of Gender?”
Heavy Cages and Unweighted Measures in “The Mars House”
Measured Violence in “Wild Houses”
Hopey Changey Stuff in Vinson Cunningham’s “Great Expectations”
Making Sense through Acceptance in Hala Alyan’s “The Moon That Turns You Back”
“Headshot” Is a Knockout of a Debut