Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
war
Wartime Realism Prevails in Adam Kovac’s The Surge
Departures from Western Idealism in Omar El Akkad’s “One Day, Everyone Will Have Always Been Against This”
Vignettes of Civil War in “What We Tried to Bury Grows Here”
“Suspended in That Incredible Moment”: A Discussion with Rachel Robbins on “The Sound of a Thousand Stars”
Fragmentary, Relevant, Disturbing: On Louis-Ferdinand Céline’s “War”
Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Shop
Twitter
Instagram
Loading Comments...
Write a Comment...
Email (Required)
Name (Required)
Website