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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Thriller
Can “Anatomy of an Alibi” Outmaneuver Its Own Cliches?
An Appetite for Body Horror and Dark Humor in Olivie Blake’s Girl Dinner
“Who is the criminal? Is it the criminal or the profiler?” A Conversation with Rachel Corbett
Hauntings and Home Intruders in “If the Dead Belong Here”
Writing From Memory: A Conversation with Ann Cleeves about “The Killing Stones”
Dark and Doomed Friendships in Penny Zang’s “Doll Parts”
Wild Rides on “The El”: A Conversation with Theodore C. Van Alst Jr.
The Nature of Thrills in “Until Alison”
Hot Tension Summer in Yigit Karaahmet’s Summerhouse
Jonathan’s Coe’s “The Proof of My Innocence”: A Jolly Good Show
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Home
About
Who We Are
Advertise
Celebrate 10 Years of the Chicago Review of Books!
Write for the Chicago Review of Books!
Reviews
Interviews
Features & Book Lists
All Things Chicago
Book Lists
Burning Worlds
Film
New Release Radar
News
Podcasts
Read Your Resistance
Stories Matter
The New Chicago Renaissance
The Translator’s Voice
Newsletter
CHIRBy Awards
Arcturus
StoryStudio
Twitter
Instagram
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Jonathan’s Coe’s “The Proof of My Innocence”: A Jolly Good Show