Reviews

The Isolation of ‘The Worlds We Think We Know’
The Funny and Tender ‘No One Can Pronounce My Name’ Lives Up to the Hype
‘Startup’ is the Tech World Satire We’ve Been Waiting For
Wendy Xu Plays with Fragmented Language in ‘Phrasis’
The Future in ‘Proof of Concept’ Might Not Be Far Off
Prepare to Laugh and Cry with Max Winter’s Richly Layered Novel ‘Exes’
In Kathleen Rooney’s Latest, Lillian Boxfish Finds Poetry in 1980’s New York
In ‘Gilt,’ Raena Shirali Asks: “What Does America Demand of My Brown Body?”
‘The One-Eyed Man’ Is a Perfect Tragicomedy for the Age of Trump
Aliens, Robots, and Politics: An Interview with Sylvain Neuvel